[A goodbye to Beautiful rubbish, hello to new blog attempt, Take Two. I published my new website on Friday, only to have to recreate it in Wordpress. So sorry for the confusion, friends. It's with readiness and sadness I leave you with my last BR post. Thank you for joining me for different legs of this journey. I hope to see you as I continue new paths.]
. . . . .
In the last few months, I found myself in a space where I no longer
wanted to write. Not for "a season," or a break; I didn't want to write at all.
I considered walking away from blogging and book writing to pursue
forms of art that got me out of my head. But I gradually came to see
that my aversion to writing was not so much to writing as a whole, but
to the toll writing the chronic-pain-in-process stories had begun taking
on my mental and emotional health.
I'd grown weary of
vulnerability. Vulnerability of the depth and extent I'd grown into as a
writer and storyteller. Since starting Beautiful Rubbish
in 2010, I'd told numerous stories of grief in different forms. Death
of a loved one. Injury. Depression. Relational heartache. Environmental
and climate changes. Spiritual trauma. A complete shift of faith and
beliefs. I told these stories within a search for beauty in the
messiness of life; it felt beautiful for awhile. But within those
stories, I'd reached a place where there was more I felt I needed to
keep quiet than I felt free to voice. Writing eventually became another
area of my life that silenced my voice, rather than unleashed it.
I
finally admitted to myself that I've lived in crisis for the past four
years. That I'm bone tired, soul tired, of writing a story that I live
daily as unresolved, told in metaphors because it's not ready to be
shared. The problem was, I knew now what depths and extent of courageous
vulnerability I was capable of going to in my writing. Anything less
than that felt like playing it safe.
Thankfully, I remembered that
on this journey of learning to love myself, really truly love myself as
I would another person, there had to be another way of understanding my
reaction to writing. If I only listened, looked a little deeper, with
no judgment. I ended up rewriting my personal definition of "playing it
safe" to mean extending myself compassion. Self care. Kindness. I
didn't need to stop writing: I needed to tell the stories that fed my
soul and gave my voice an outlet.
And I knew that those stories
were my observations, encounters and relationships with the natural
world. With my wild neighbors, my wild family. I needed writing to be a
place where I could focus my passion for conservation and hopefully meet
like-minded souls along the way. I needed a new home for my stories.
Enter, my new blog.
Old readers will find a few familiar remnants of Beautiful rubbish
here. These reflect the parts of me that are static: A deep
appreciation of the natural world. A love of lyrical writing. Drawing
metaphors from the world around me. Diving deep into the stuff of life.
And just as I have changed drastically from the person who began
blogging in 2010, much of what is expressed here in this new space is
dynamic, like me. I'm mostly fluid, still transforming. And this is my
fresh canvas.
New readers will see less of my personal life and
more of my observations and interpretations of the world around me. I'm
not completely shying away from vulnerable topics; not hardly. You'll
likely find them woven in more gently against the background of nature.
I've learned that who I am and what I'm about is best understood in this
context.
Welcome to My wild family, where the human and
nonhuman worlds collide, intersect, and inform each other in foreign
languages that must be studied and learned over a lifetime. I hope
you'll come back to visit, make yourself at home, engage as you feel so
inclined.
Care to join me there? (click here for new site)
If you read my last post (which has now been reverted back to a draft), you're probably wondering where it went and why my new website looks, well, unfinished and different. If you have no idea what I'm talking about, good. And also, I'm working on a new website. I published it and soon after (much to my frustration and amusement) found out I'd created it in a format not conducive to blogs.
Ha.
I've never claimed to be technologically inclined, whatsoever. But yes, I'm working on my own (simple) website for a brand new blog.
More details to come... I hope to have the new site reformatted and live in the coming week or two.
Please stay tuned!
I am a mother.
This truth is starting to penetrate a culture-imposed shame: The defining moment and culmination of womanhood is in bearing children. If a woman does not desire children of her own, there is something wrong with her. She is selfish, immature, afraid of responsibility. She is not whole. She cannot be fulfilled. She will deeply regret this.
I have never carried a sustained longing for children of my own. It has flitted in and out as quickly as it came only a handful of times in my thirty-five years. I always expected it would stay, one day, when the time was right. When I was ready. This is, more or less, what I was taught by Christian culture, by American culture at large. And so I've harbored a quiet shame, because it has never been my truth.
At least, not on the terms laid out for me.
But when I stayed up through the night caring for a baby squirrel, my heart was full. I felt whole. Alive. A receptacle of love and nurture and fierce protection. I was undone by this fragile ball of fur on my chest.
And when I plant trees, tuck new plants in with burlap and mulch, extend a forest, I am sowing life back into the earth. Leaving behind a legacy, the fruit of which I will not live long enough to enjoy.
When I pick up garbage from the lake, I am quietly fighting for the lives of creatures and habitat that I love.
When I bring a lost dog into our home, bathe and brush and feed him, take him to the vet, stroke his face and speak soothing to him, I am offering myself without condition.
When I hang our feeder of sugar water out for the hummingbirds, I am feeding my family. Hoping to lighten the load of daily survival, offering a place of refuge.
When I frequently rearrange Pepita's habitat based on following her behaviors, I am listening to her needs, learning from her. I am affirming that she has a voice, however different it is from my own.
* * * * *
We never expected to go to the Seattle Home Show this past weekend and come home with a baby. But that is precisely what happened. We were wandering through the expo in search of models of tiny homes and were sidelined by a tiny furball in a lady's hand as she addressed a small crowd. Curious, I pressed in. I'd never seen this animal before: a sugar glider.
I moved closer to the woman with the sugar glider, and she handed him to me. He fit in the palm of my hand, his tail wrapped around the perimeter of his head like a scarf. His dark brown eyes took up half his face. I relaxed my hold on him and he scurried up my arm onto my shoulder, then hopped over to Ricardo's. Soon he disappeared inside the sleeve of Ricardo's jacket and my husband danced around laughing.
I looked at Ricardo with wide, shining eyes and breathed, We cannot leave here without one of these babies.
There are seven babies left, the woman announced to the crowd. I stepped up to her side and raised my hand, I want one.
I had just enough in savings to bring a baby home. The kind of spontaneity that makes me nervous, but might as well have been planned for how right it felt.
What should we name him, I asked Ricardo that night. Nothing seemed to quite fit our little marsupial. We went to bed and when we awoke in the morning, Ricardo read me a list of names.
I chose Tarzan.
Tarzan, with the wings of fur that one day may allow him to glide up to 150 feet through the air. Tarzan, whose intricate hands, the size of an almond, allow him to climb the sides and ceiling of his cage like a king of the jungle.
The bonding process with a sugar glider requires time and patience. He does not immediately trust us. In fact, he is frightened of us. Every day in the afternoon, when I get home from work, I reach into his cage and firmly grab hold of him beneath his blanket. I transfer him to his zipper pouch, hung around my neck, and tuck it underneath my shirt, in my bra, right next to my skin. He needs to acclimate to my scent, feel my heartbeat, be snuggled tight and safe. He chatters at me anxiously. With my hand pressed flat against his body, I apply pressure until his chattering subsides.
He is like a crying infant. And I am a new mother. For the next few hours, we move about as one.
We are a family of four: Two humans, one tortoise, one marsupial. As this kind of mother, I can only ever imagine expanding.
I am seething. I am in agony.
I've slipped away to the laundry room, siting in the dark hugging my knees, and I want to slam my fist into a wall. A wall of human arrogance. Greed. Self-entitlement. That wall of we don't fucking care about another living soul unless it profits us.
My husband just showed me a video clip of a fresh atrocity in Mexico. A group of rich entrepreneurs decided to overtake a wetland habitat in Cancun and bulldoze it in the middle of the night. They're going to build more resorts. In the process, they destroyed ninety percent of the wildlife population in the wetland. Killed them, while they were sleeping.
In the video, a young Mexican man is talking passionately, gently cupping a dead bird in one hand. It was buried in the dirt for two days before they uncovered it. The little bird is the color of the sun and the sky, and one wing is nearly torn from its body. He peels back the wing to show the gaping wound in the bird's lifeless body. I stare at it and my stomach clenches in pain, on the verge of retching.
A this point, I leave the room.
* * * * *
On our walk down by the lake this morning, we can't escape the depression of the landscape. The low water level exposing garbage. The birds fishing as usual in a lake that is slowly ebbing away. The birds, the trees, the water, continue to emanate beauty.
But it is a searing beauty. An ominous beauty. It catches that elusive crevice between my ribs where I feel heavy things that can't be put into words. It sits there and quietly thrums its lament. And I can't do a damn thing about it but listen, refuse to shut it out, work diligently to undo a speck of the damage that's already been done, vow to do better in all the daily small ways that add up to something bigger.
And here, again, the rage boils over. We've done this.
There are days I loathe being human.
* * * * *
I cradle my newly tattooed arm in my hands as the tears continue to fall. It seems since I got myself inked, I feel these violations against the natural world even more acutely. They are violations against me now. Maybe because I cared enough to have my own flesh engraved as identification with this nonhuman world that has already tattooed itself on my insides. More than beautiful artwork, which it is, it is expressive of one of my most deeply embodied beliefs: We belong to each other.
My arm hurt so bad at certain points while the artist worked, instead of trying to escape the pain (which I couldn't do), I went into it. I imagined myself as a tree being carved. It didn't take the edge off the pain, but it did channel it. I wonder what a tree feels when its bark is etched with a knife. Is it anything like piercing through a layer of skin with a set of needles?
And now I have birch trees etched on my forearm. With a great blue heron flying through, a big wooden door set in the background of the trees like the entrance to a secret garden. It's a stunning work of art. And it's much, much more than art. It's one of my deliberate responses to the rage that boils up in me. Harness this, translate it into art, it says. Plant life where you can in all this death. The world is a festering wound of rage, filled with the voices of suffering, injustice, grief, violation, despair. I can add yet another angry voice to this, and it will quickly be lost in the noise.
Or, I can find another way.
This tattoo is my vow to love these others - all these nonhuman others that share the world with us - as I would myself.
At the end of the day, the end of a life, the most stunning works of art are those which have been wholly embodied.
* * * * *
I wrote that shortly after I got the line work done on my tattoo. Yesterday, I went back to finish it, and it is a glorious painting on my arm. More glorious even than in my imagination, which is saying something for an artist.
I woke up this morning, swollen and still in pain, popping another 1000 mg of ibuprofen. I gingerly washed my arm and rubbed lotion on it, standing back to see myself in the mirror.
I feel, somehow, like this tattoo is a huge piece of my soul that is now visible on my skin. It's hugely vulnerable, especially when most people look at it and assume "we belong to each other" is referring to my husband.
What does it mean, then, only a few people have asked.
Enough to write a book about, I reply.
I'm thirty-five today.
I say it again, I'm thirty-five years old, let it roll off my tongue without fear or judgment, regret or nostalgia. I just am. All these years of life and all the ages I've ever been, rolled into one unfinished number.
Thirty-five-glorious-messy-pieced-together-years-young-and-old.
I was grieved to turn thirty, for a lot of reasons that felt painful at the time. I don't know how or where I'll be when I turn forty. But here? At the age of thirty-five? I'm content to own my years.
To really own them, the way I'm learning to own my body through all its changes. To treat it more gently, kindly, respectfully, instead of beating it up. To appreciate all we've been through together. To (try) to eye it less critically, to see it more as a watercolor painting and less like a chiseled sculpture. Instead of running miles and miles, which my knees will no longer allow, I walk for miles and miles of wide-eyed seeing. Instead of sweating in a boot camp class, I stretch and pose and feel my strength grow, my muscles lengthen, on my yoga mat in the living room. The
theme of my life lately has been coming into my true self, my real
skin, and I am loving that skin with all its history held in billions of
tiny cells.
I started loving myself for the first time at thirty-four. I'm going to love myself more fully by the end of this year.
* * * * *
Ricardo and I celebrated our birthdays together this past Saturday, his fortieth and my thirty-fifth, among dearly loved friends - of the non human variety, that is. Driving an hour and a half south of Seattle, at the base of Mt. Rainier, we greeted all kinds of delightful friends at a wildlife park. Bison, moose, elk, big horned sheep, mountain goat, deer, cougar, wolverine, beavers, river otters, raccoons, lynx, grey wolves, snowy owl, barn owls, turkey vulture. Aspen, Douglas fir, Western red cedar, hemlock.
We loved them all.
And I felt more at home among these ones than I do among most people these days. These are lean years of friendship, and I'm learning to live in the tension of that ache, and also to find friends in other forms and places.
The cold nipped at our noses and fingers and we awed at the frozen glory of the lake and the forest. We clasped each other's gloved hands snugly and basked in the warmth of companionship, the gift of another year together and the glow of dreams kindling fiery orange.
These are true riches.
* * * * *
I haven't had much use for written words these days. Most of my words have been coming to me in the form of paintings, and so I've been picking up my brushes and letting them speak.
At the age of thirty-five, I'm coming to see that living into my art is more than being a writer. I have more inside me than words. It's like learning a new language, expanding my speech, this growth of creative expression. Painting takes me beyond the limits of my words; words and painting combined open up a new world of speech. It's exhilarating.
So I lean into this inclination toward painting, even though I know nothing of technique. I haven't studied styles. I don't know the proper terminology. And for once in my life, I don't give a damn. For a change, I'm not doing this to try and be the best or get it right. I'm doing this for the pure joy of creating.
Just as I'm not doing yoga daily with the expectation of ever being a yogi. Or doing the splits. Or looking as graceful and altogether flexible as the instructors I watch in my online yoga classes. No, I'm doing this because when I get on my mat, I can feel this is growing both body and soul. And because as months go by, I find myself doing things I said I couldn't do or at least inching my way closer. And it feels good, real good.
* * * * *
I used to hate that my birthday was in the winter. As a kid, it made outdoor birthday parties impossible. But at the age of thirty-five, I'm loving my January birthday. In fact, I'm loving winter for the very first time. While I hear people constantly looking forward to summer months and warm sunshine, I'm wishing time to slow these few months of winter. To savor the crisp cold and, yes, even those dim gray days. To open more to the raw beauty of this season with all its mysteries, to its invitation to hole up inside and create.
And this, too, feels like acceptance. Contentment. Creativity. Growth. Hope.
I am leaning into winter, into loneliness, into beauty, into creating, into kindness, into exploration, into what is. Leaning into thirty-five and falling forward with curiosity and anticipation.
Bring it.
The feathers have fallen, scattered in mournful disarray, an entire story trod by the feet of people who rarely look down in haste. But I look and notice. I can't help but notice - and wonder - from which body they fell. A pigeon, I believe. How many there are. And the way they've fallen, as if each ruffled strand tells of a struggle I did not witness.
I am curiosity brimming over, crouching on my haunches in the rain, on a downtown city sidewalk, as people step around me and the feathers.
I collect them as treasures, tuck them gently in my lunch bag. And I marvel, at the treasures that have always laid hidden in plain sight, when I was one of the haste- driven ones who rarely looked up or down to see. I keep them in an empty porcelain flower planter on our kitchen-table-converted-to-art-workshop: feathers, leaves, conifer cones, strips of birch bark peel, shells, the fuzzy cone of a magnolia tree with red seeds hanging through slits by the tiniest of filaments. I carefully drop these treasures in small glass ornaments, a few of my favorite reminders of the world I love in microcosm.
* * * * *
I love books, always have. They have been among my favorite friends and teachers through the years. But I find myself in a larger, more rugged classroom these days, reading stories not in print but in wood and filament, leaf and cone, feather and bird call, wind and rain. These are my friends, my teachers, and it's taken more than two decades to bring me back around to this classroom. To the ground I began upon.
This instinct as deep as the deepest roots, that each creature, each created thing, no matter how small, has something to show me. To teach me. But I forgot how to listen, how to see, how to slow, how to wonder. I was never taught to see the sacred here, in all these beings, in all these things and places. We worship the Creator, not the created, I heard for years, nodding my head in agreement. As if I had permission only to notice their beauty, then look quickly away, lest I fall into the temptation of worshiping the wrong god. It is not a feather, after all, that speaks sacred things to us, but God who created the feather and the bird from which it came. And so for many years, I looked away, looking for God in acceptable places, resolving not to love the created world as I did the Creator.
For. They. Must. Be. Kept. Separate.
* * * * *
And, alas, they cannot.
The year wore on, and I grew more weary of the dichotomies. The division of soul and flesh from trees and feathers. Can God not be found on the wind and in the water, stretching through the arms of a tree, in the quiver of a flower petal, the wing beats of a hummingbird, the drumbeat of rain, the stretchmarks of a drought blighted land, the DNA of a pine cone, the bleat of a goat, the penetrating eyes of a tortoise, the warmth of a donkey's neck? Is the Divine so small and insecure as to separate things so incessantly as we humans? Or is the Divine not also like a tapestry: colorful, distinct and yet inseparable; bound together from and in and through all things eternal.
I sought to know God also in the meditations and practices of Buddhist monks, who honor all life as sacred. The prayers of Native peoples, who love the earth and the spiritual world as one. The art and traditional celebrations of Mexican Catholics. The questions and ever-unfolding journeys of agnostics and atheists. The language of the created world, revealing to me spiritual treasures everywhere I look. Not as a choose-your-own-religion as much as a flinging off of religion to choose the One who cannot be contained by a label. Nor can I.
As this year comes steadily to a close, I see: this is my resurgence.
[My word for 2015 has been resurgence. For more posts on this, you can read here and here and here and here.
While the wind and rains kicked up a blustery November gale outside, a large group of us packed in the Town Hall auditorium for Amperstand Live, an event hosted by a conservation organization called Forterra. We came with at least as many reasons as people present, but one shared reason drew us close to hear stories: our love of wild places and the Pacific Northwest.
And stories came these two and a half hours, from poets and wildlife photographers, a paper artist and children's book writer, a chocolatier and a wild mushroom hunter, a conservation canine (i.e., black lab) and his human coworker, architects and a classically trained singer, a dancer and a gospel choir, an ecologically-minded clothing designer and two radio talk show hosts. They stood up and spoke of place, through words and pictures, through song and story, through dance and poetry. And I sat these hours on the edge of my seat, leaning in as these voices howled like an emerging wind inside me.
I looked around the auditorium with a swelling pride of place. I live here, in this beautiful region, and I love it down in my bones. I feel less alone. These are my people, strangers though they may be. We are lit with similar flames.
Sitting there, I knew, I'm coming home to myself.
* * * * *
Being the introvert I am, I’m not too keen on socializing. Period. I hate small talk and ice breakers and being thrown in groups where the pressure to connect with people creates a sense of forced relationship. That, and I have no clue where to go to find more like-minded, open-hearted people, after more than two decades in the church.
So as I’m walking to our neighborhood community center in the rain at eight o’clock a recent Saturday morning, preparing for a morning of planting trees in Seward Park, making new friends is the very last reason I’m doing this. The social aspect of participating in Green Seattle Day is not a perk for me, more a nuisance I have to endure to get to the real pleasure: giving back to the forest, the birds, the park. The satisfaction of hard physical labor, of smearing dirt on my face and pants and shirt. The tiny hope that these trees we plant today will one day be towering members of the forest, extending its borders.
Arriving at the community center, I draw a deep breath and walk inside to a small group of people gathered in the waiting area. Within five minutes, I’m chatting with a single woman in her fifties, Lisa, fully relaxed. Ten minutes later, we’re in the gym with a growing group of people and I’m having a conversation with Ted, who works at a Trader Joe’s, about the perks of our kind of jobs. Thirty minutes later, I’m walking out to a school bus with Tamira, a single mom, and her two adorable boys, Luke and Jonah. Luke, five, wants to sit with me on the bus, and he sticks close to me the rest of the day.
“Are you sure you’re ok with this?” Tamira asks with a raised eyebrow. “He isn't usually drawn to people like this.”
“Yeah, of course. He’s super sweet,” I assure her. I’m not exactly what you’d call a kid person, either, I think. That is, they aren’t usually drawn to me. But this one is and I have no desire to fight it. This little boy with the rocker haircut, one side flopping in his big brown, long lashed eyes, with Spiderman pajamas peeking behind his ripped jeans, is an unexpected delight.
When we arrive at the park and climb off the bus, we gather in the rain beneath a tree for introductions and directions. Luke wants to stand by me and I reach out my hand to him. He takes it and all I’m aware of is the soft warmth of it, the smallness of it, in mine. The wonder that he took it at all.
We divide into groups - planters and mulchers - and I’m a mulcher. Which means I will make multiple trips from the planting site to the mulch pile with a wheelbarrow to fill and distribute around potted trees and shrubs. Again, Luke wishes to stay with me, so each trip down and back is peppered with puddle splashing, attempts to help steer the wheelbarrow, the removal of a rain boot to search for pesky pieces of mulch that inhibit his walking, a stop by the drinking fountain, instructions not to throw mulch on our heads as we’re shoveling, encouragement to hurry and catch up with me, and reminders not to play with shovels. I’m not used to being slowed down. And yet, somehow, it comes more easily today, adjusting my pace to include him.
We’re sweaty, streaked with mud, wet from rain, winded from the back and forth with heavy loads. I’d envisioned a morning that was more quiet, more reflective, more focused on the beauty of our surroundings, soaking in the peace of the trees and the songs of birds. But this, this was all about people working together. People caring for the forest and the birds. People of all ages, from babies to elders, showing up early on a rainy Saturday morning to give something back to the city parks. And a little boy tagging alongside me as I trekked and hauled and muscles ached, and all I could do was settle in and enjoy the companionship with strangers who quickly felt like friends.
It’s time to go and Luke and I climb the steps of the bus first, heading straight to the back where he says it’s his favorite spot. He squeezes in next to me on a small seat and heaves his jacket and water bottle across my lap, then turns to stare fixedly out the back window. Tamira calls to us from the front of the bus and asks me to take a picture of Luke and I with my phone and send it to her. I’m taking fish-faced selfies with a five year old at the back of an old school bus, covered in mud, and I wonder if maybe something was planted in my soil today, too. Something like joy.
Back at the community center, I’m chatting in line for a hot lunch with Emma, a twenty-three year old software tech who was on my team. We sit with Tamira and the boys, who have saved us a space at their table, and laugh through our delicious meal of Ethiopian food and hot chocolate. Luke and Jonah are stabbing apples with their forks and calling me silly names, with their boyish giggles and mud streaked faces. Emma and Tamira are making plans to help out again next weekend to finish the tree planting, because Tamira says she wants to volunteer like this with the boys nearly every weekend, and I wish I was going to be in town to join them.
I leave the community center with two new names and numbers saved in my phone and a genuine desire to see them again, these ones who also love parks and forests and getting dirty and giving back.
* * * * *
You know that feeling in your gut, perhaps especially after months and years of not knowing its dwelling, of finding your people? The core, the heart, of your life's work? I've known this, or thought I did, for brief periods of time in my young adult life - and it's been a long, long time since.
The last time I felt a deep sense of purpose would have been in my twenties, when I thought mostly of Africa. It consumed me, to some degree, enough to shape my two years in grad school and aspirations beyond. But all they amounted to were aspirations, in the end, blowing away in the rubble of loss. This sense of purpose and ambition that consumed me was all about where I was going, who I would be when I arrived there, and what big things I would do with my life. It was so very well-intentioned - and largely theoretical.
But this new-and-not-so-new sense of clear purpose is not about theory for me. It's not about arriving. Nor is it about defining identity, proving worth, warding off guilt or shame, or a deep-seated fear of failure. It's about living into: seeking, questioning, acting with intention, evolving, becoming. It's rooted in smallness, instead of bigness. The smallness of daily life choices. Of where and how to invest my time; of what to read and what to write; of what to eat and what to buy; of what to give and who or what to give to; of whether to walk or bus or drive or bike; of how to practice authentic faith and spirituality. The smallness of one human being showing up for life each day, as best she can, determined to leave evidence of love behind when she goes.
* * * * *
I've felt these colorful strands of story flapping in the breeze for more than a few years, side by side, not yet bound to each other. Crumbling of religion. Environmental stewardship. Advocacy. Deeper connectedness with the natural world. Artistic development. Insatiable curiosity. Slower pace. Sharper sight. Communion. Love of non-human beings. Rumblings of a new faith.
And I need you to know, those who have read me for some time now especially, that I am truly well. I don't even remember the last time I felt this good. And while not much has changed in certain life circumstances, some big changes are abrew and hope is pushing its way out of the ground. That, and I am constantly changing in ways that are expanding and liberating and healing me. Ways that are helping me feel deeply rooted in the tumult of change, connecting me more with my true self. My blog may be more quiet than it's ever been, but I am still writing. The words are just not intended for this space.
And that's a big part of why I'm not here on my blog much anymore: I'm shifting my focus. Most of my writing is being accumulated for what may or may not culminate in a book one day. While the essence of beautiful rubbish is one I carry inside me, wherever I go from here, I also sense a honing in of my voice in accordance with my life's work. I wish to keep these writings separate for now, my blog and this honed in place of writing. I also know that my audience, if it hasn't already, is likely to change. As my faith has shifted, I know some (or many) of my readers may lose a sense of connection with my story. While this does not need to be the case, I also understand and respect it. And you are free, always free, to come and go as best suits you. The door is ever open to you; and also, I cannot remain the same in order to keep anyone from leaving.
The truth is, I don't have any idea where my blog is going from here. And I'm at peace with that uncertainty. But for now, I'm still here, and I wanted to say hello - and thank you - to whoever is still reading.
Peace to you.
